Dr. Biggers, who was influenced by Mexican muralists, and his former professor, famed artist, Charles White, who he studied under as an undergraduate student at Hampton Institute. Dr. John T. Biggers painted three murals on the TSU campus, Web of Life, NUBIA, and Family Unity, which was commissioned by the TSU student body and painted directly on the walls of the student cafeteria. Beginning with his 1957 UNESCO Fellowship in West Africa, Biggers became deeply influenced by African art, symbolism, and spirituality.
Current and recently graduated TSU art students carry on the legacy of John T. Biggers, Carroll Harris Simms, and other faculty and students that came before them. Many traditions have carried over; students still produce portraits, sculptures, and murals. Perhaps most importantly, each senior still contributes works from their undergraduate portfolio to the University Museum’s Permanent Collection, just as Biggers’s and Simms’s students did. Much has changed, too. Students take classes in digital art, producing impressive virtual designs. Additionally, where many past students became art teachers, new opportunities have seen recent graduates enter fields like design, social media, and museums.
Students of Professor Carroll Harris Simms created an incredible collection of terracotta sculptures. The sculptures were inspired by Nok and Ife sculptures, which Simms encountered during his international travels. This began with Fulbright Fellowships where he studied Benin and Yoruba art under William Fagg at the British Museum and later continued when he traveled to West Africa. The terracotta sculptures are heavily embellished with designs, particularly swirls. Several motifs appear frequently in the student works, particularly animal forms, shrines, and the mother & child relationship.
From the inception of the Texas Southern art department, Dr. John T. Biggers and Professor Carroll Harris Simms had an eye towards history. Beginning with the first graduating class, the faculty would select a number of pieces from each graduating senior’s portfolio. These selections came to form the museum’s permanent collection, which have been used as tools for teaching TSU students for over 60 years. Works including paintings, drawings, prints, photographs, sculptures, pottery, textiles, and more are included in the collection.
Once you go and learn it, you must always take it back to the community.Dr. Alvia Wardlaw
Objects depicting racist and/or stereotypical imagery or language may be offensive and disturbing, but the NMAAHC aims to include them in the Collection to present and preserve the historical context in which they were created and used. Objects of this type provide an important historical record from which to study and evaluate racism.
This website contains links to or from third-party sites that are not under the control of the Smithsonian. Click here for the Smithsonian Terms of Use regarding Third Party Websites. The appearance of external links on the Smithsonian’s websites or social media accounts does not constitute an official endorsement on behalf of the Smithsonian.
Objects depicting racist and/or stereotypical imagery or language may be offensive and disturbing, but the NMAAHC aims to include them in the Collection to present and preserve the historical context in which they were created and used. Objects of this type provide an important historical record from which to study and evaluate racism.
This website contains links to or from third-party sites that are not under the control of the Smithsonian. Click here for the Smithsonian Terms of Use regarding Third Party Websites. The appearance of external links on the Smithsonian’s websites or social media accounts does not constitute an official endorsement on behalf of the Smithsonian.
Objects depicting racist and/or stereotypical imagery or language may be offensive and disturbing, but the NMAAHC aims to include them in the Collection to present and preserve the historical context in which they were created and used. Objects of this type provide an important historical record from which to study and evaluate racism.
This website contains links to or from third-party sites that are not under the control of the Smithsonian. Click here for the Smithsonian Terms of Use regarding Third Party Websites. The appearance of external links on the Smithsonian’s websites or social media accounts does not constitute an official endorsement on behalf of the Smithsonian.